Mike Froio's Railroads
August 4, 2016
Michael Froio, Professor and Photography Facilities Manager, is often found in the Paul Peck Center’s Photography studios. However, if you’re lucky, you might find him at the break of dawn just about anywhere there’s train tracks, rail yards, or train stations. It’s not that Michael is a solitary individual, it’s rather that the focus of his work is largely based on lush landscapes, historical architecture and all aspects of the former Pennsylvania Railroad, which he uses to produce stunningly rich black and white photography. “From the Mainline,” Froio’s impressive ongoing project, operates as an homage to the industrial achievements of the past 150 years in which he documents the infrastructure and landscape that’s developed alongside the Pennsylvania’s ecology. “Much of what they engineered and built over 100 years ago remains a vital part of the Mid-Atlantic’s railroad infrastructure today, a testament of their foresight and engineering abilities” says Froio. His gorgeous photography is generally accompanied by meticulously researched text that recounts and pays tribute to the importance of railroads in our region and the nation. We strongly suggest you visit Michael’s terrific website at http://michaelfroio.com/ and consider signing up for his pictorially vibrant, textually rich, and fascinating newsletter.
Froio is inspired by the work of William H. Rau, who documented the railroad in the 1890’s, and by the social and industrial history and landscape studies writers John Stilgoe and Robert Adams. His earlier works were made possible by using a large format view camera, a process that forces the photographer to spend a dedicated time with the subject. In recent years he’s begun utilizing digital formats, yet he still treats his work with the same emphasis as with the view camera: spending time with the subject.
Froio most recently served on a panel as part of The Muse Behind the Artist at The Print Center, an event sponsored by Penn’s Village. In March, From the Mainline was exhibited at the Camerawork gallery in Scranton, Pennsylvania.