Kazia Nowacki
My name is Kazia Nowacki and I graduated from the Music Industry Program in
2013 with minors in Business Administration and Video Production.
Currently, I am the Documentary Crew Coordinator for Pixar Animation
Studios. We develop and produce all of the behind the scenes footage for
the movies and shorts, in addition to other marketing and creative content.
How does your experience within the Music Industry Program at Drexel
compare to your actual experience now that you are out in the field?
Since I was very interested in a career in audio for video, I coupled my
Music Industry studies with those of the Film & Video and (at the time)
Digital Media programs. One of the Drexel experiences I had was being the
MIP Studio Scheduler within the Music Industry Program, which became
directly related to my career as a Coordinator. The other key Drexel
experience I had was being the GRAMMY U Representative and a member of The
Recording Academy. These experiences, along with many others, exposed me to
a variety of aspects of the entertainment industry.
As a Coordinator, I’m responsible for setting up a vast number of events,
meetings, and shooting schedules that cover everything in the production
process. I have to be knowledgeable about what’s going on in other
departments and shows, which requires communication and developing
relationships with other co-workers. For each project we produce, I
coordinate all parts of development from pre-production and shooting, to
post-production sound, color, and effects. Knowing the process and
understanding the time constraints are basic components of my job. But I
think what made me stand out to my employer was that I set high standards
for quality, pay attention to detail, understand dealing with clients,
collaborate well with others, and can not only work in, but excel in, an
intense, driving, and fast-paced environment. These traits are the ones I
absolutely attribute to Drexel University and, specifically, the Music
Industry Program.
Have you had any “AHA “ moments that you would like to share, either
during your Drexel days or post-graduation?
Yes. If you are interested in the entertainment industry,
everyone will tell you, “It’s all about networking.” When I first heard
that, it went in one ear and out the other. It wasn’t until I was looking
for my first co-op that I realized how absolutely true this is. Every job
or internship I’ve had since 2009 has been because someone in Drexel knew
someone in the industry. And it’s not just knowing someone - it’s
developing a relationship with that professor, mentor, or professional who
knows you well enough to say “I’m betting my name and my reputation that
this student is not only good enough for this position, but is the best
person for this job.” Then, of course, you should be able to back it all up
with the required skills and the willingness to learn.
Can you talk about ways in which Drexel’s co-op program helped you to
determine your career and professional goals? Where did you co-op and what
was your experience like?
I had two co-ops - my first co-op was at an independent
post-production facility in Philadelphia, Philadelphia Post. My second, was
with Fox Networks Engineering & Operations in Los Angeles (later to be my
first full-time employer). Drexel’s co-op program forced me to find
opportunities outside of my comfort zone - ones that weren’t so right for
me, and ones that lead to the best experiences of my life thus far. After
interning with Fox, I knew that I wanted a career that required both
managerial and business administrative skills, along with the thorough
understanding of technical operations, in the entertainment industry. My
co-op with Fox was so successful, they hired me after graduation.
How would you describe your growth as both a student, and as an active
member of the music industry, from your start as a freshman to the current
day?
It’s hard to look back and remember where I started, because I have come a
long way. Although my current job does not fall within the scope of the
music industry, I’m still an active member of The Recording Academy, Audio
Engineering Society, and a few music-related groups at Pixar. Since being a
freshman, I’ve learned how to be more self-confident in my decisions,
patient and trusting that any hard work will pay off in the end, and that
meeting people and networking is one of the biggest keys to success in this
industry.
What are your plans for the future? What do you hope to accomplish in
the next five years?
I’m still trying to figure that out. One of my life goals (since I was in
4th grade) was to get a job at Pixar - something I wasn’t even thinking I’d
obtain for a long time. I think I have a lot of opportunities ahead of me.
I have the ability in my role to make decisions that affect
worldwide-released products, even if it’s in a small way, and to
collaborate with some of the most brilliant people in the world. Within the
next five years, I can only hope to grow as a leader and use that knowledge
to give back to students. I think eventually I’d want to be a producer or
director - it’s absolutely fascinating what they do. That will probably
take a while.
Were there any particular classes or professors that helped you to
decide on your career path, or which you would recommend to future MIP
students?
I honestly did not have one bad professor or class at Drexel. To me, MIP
was such an amazing major because of it’s small size, and because it covers
many facets of the industry, despite your “track.” The most valuable parts
of my Drexel education that have served me extremely well in my career so
far are the following:
1) The quality and networks of the professors there. I felt I was able
to personally connect to many of my professors, especially in Music
Industry and the rest of Westphal College - and that is because they are
extremely genuine, brilliant, and knowledgeable. They have outstanding
resources and connections to offer to students, if those students are
willing to connect with them.
2) I was able to join and experience other organizations and parts of
the industry because of both the professors’ and university’s connections,
such as The Recording Academy and the Audio Engineering Society. I’ve gone
to the GRAMMYs twice and met so many people in the music industry in Los
Angeles because of these organizations.
3) The Alumni Association is a fantastic group, especially when you’re
moving to a city where you hardly know anyone. Los Angeles has one of the
largest groups of Drexel Alumni outside of the tri-state area. It’s a great
way to meet people and network.
Any last words or take-aways you’d like to shout out to our prospective
students and their parents about our program and your experience?
Drexel is not meant for everyone. For those who understand the
demands of the program and the fast-paced environment of not only a quarter
system, but of a technically proficient and career-prepping major, the
rewards can be invaluable. The entertainment industry is tough on so many
levels. Whatever your definition of success is, I believe that the
professors at Drexel and in the Music Industry Program will prepare you for
it. I am so grateful to everyone there for being a part of my success.