Kensington Blues: Philadelphia’s Opioid Crisis in a Decade of Photographs

Bill visits the site of his former makeshift home which was demolished by the city, 2018. The city demolished Bill’s home and countless others during the summer of 2017 when a deal was reached with Conrail, who owns the land, to clean up and secure the area.
Bill visits the site of his former makeshift home which was demolished by the city, 2018. The city demolished Bill’s home and countless others during the summer of 2017 when a deal was reached with Conrail, who owns the land, to clean up and secure the area.

In 2017 over 70,000 people died from a drug overdose in the United States, according to the Centers for Disease Control and Prevention. Half of these deaths were a result of heroin use and exposure to the fatal synthetic opioid fentanyl. For Philadelphians, the crisis descends over just about every neighborhood, carrying a varied impact. Philadelphia’s overdose rate is horrifically high – in 2017 alone, 1,217 people died from an overdose, an estimated 1,100 people were lost last year.

Photographer and Drexel University alumnus Jeffrey Stockbridge has captured the veracities of the epidemic through the lens of a decade long photography project focused on the opioid crisis in Philadelphia, that will be on display at Drexel.

A young woman sleeps in a tent beneath the Kensington Avenue underpass, 2018. After hundreds of homeless drug users were evicted from the abandoned tracks in Kensington during the summer of 2017, many users relocated underneath the Kensington Avenue underpass as well as three other tunnels in the neighborhood.

The exhibit, Kensington Blues, will run from Friday, Jan. 25 through Saturday, March 30 in the Paul Peck Alumni Center (corner of 32nd and Market Streets).
 
 

The exhibition will feature photography, audio interviews, videos and journal entries. Stockbridge utilizes a combination of photographic styles and formats to portray the emotional, and physical impact of drug addiction and briefly lets viewers peer into the state of mind of these individuals suffering and struggling with substance use. 

Video excerpts from “Embedded in the Badlands” a documentary series co-produced and created in collaboration with reporter Courtenay Bond Harris and video editor Hunter Siede visually depict the various aspects of the deadly epidemic that is the focal point of the exhibition Kensington Blues.

The opening reception will take place on Friday, Jan. 25 from 5-7 p.m. The Paul Peck Alumni Gallery is open Monday through Friday from 9 a.m. - 4 p.m. and Saturday from Noon to 5 p.m.

Beneath the Kensington Avenue underpass, 2018. Chris (right) prepares to inject John (center) in the neck beneath the Kensington Avenue underpass. Heroin users often rely on one another to inject their drugs for them when the veins in their arms, legs, hands or feet are no longer receptive.

Stockbridge is a photographer and fine-art printer based in Philadelphia. He began his documentary photography series in 2008 and in 2017 published Kensington Blues, a book featuring much of his work. Stockbridge’s photos have been published in the New York Times Magazine, Time Magazine and BBC, among others.

"Addiction has no socio-economic, racial or ethnic boundaries,” said Barbara Schindler, MD, a professor in the College of Medicine.

Country, beneath the Kensington Avenue underpass, 2018.  Country rocks back and forth after injecting heroin the day before the city evicted drug users camped beneath the Kensington Avenue underpass.

Programming for the exhibition will include an artist talk on Thursday, Feb. 7, from 6-7 p.m. and a panel discussion on Wednesday, March 20, from 6-9 p.m. To learn more about Jeffrey Stockbridge and the exhibition, Kensington Blues, visit here