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Upcoming Exhibitions

Upcoming Exhibitons


(S)Heroes Among Us

Live Paint Sunday, October 18 at 1 p.m. 

Live-streaming on twitch.tv/pearlsteingallery

In advance of Native American Heritage Month, Drexel University will present (S)Heroes Among Us, a public art event that will be streamed on the Twitch channel of Drexel’s Pearlstein Gallery on Friday, Oct.18, 2020 at 1 p.m.  Three Philadelphia-area artists, Priscilla Bell, BUSTA and Leon Rainbow, will paint murals to the sounds of a deejay informed by native music (artist name TBA[S1] at 3401 Filbert Street in the yard of the gallery. 

Each mural will celebrate a female leader in an Indigenous community, from activists and matriarchs to icons. The event will be livestreamed on the gallery’s Twitch channel, and the murals will remain on display through the fall, with additional programing around the work to be announced. 

The event will stream for free and is presented in tandem with the gallery’s partners, the Westphal College Diversity Equity & Inclusion Council and We Are the Seeds, a project of CultureTrust Greater Philadelphia supporting diverse cultural practices.

“We Are the Seeds is thrilled to be working in partnership with the Pearlstein Gallery to present programming that surrounds Indigenous Peoples Day,” said Tailinh Agoyo, executive director of We Are the Seeds. “Visitors will experience Native art and culture through a contemporary Indigenous lens. The opportunity to share our own stories through a live art program in the middle of Lenapehoking (Philadelphia) is incredibly meaningful.”

This year, Drexel formally acknowledges Indigenous Peoples Day in lieu of the holiday formerly called Columbus Day and has released a formal land acknowledgement:

The land on which Drexel University stands is Lenape land, and we pay respect and honor to the caretakers of this land, from time immemorial until now, and into the future. We openly recognize the Lenape Indian tribe as the original inhabitants of eastern Pennsylvania. 

Acknowledging this history is consistent with the University’s commitment to diversity and inclusion. Drexel recognizes the historical links between the land on which the University sits and the Lenape peoples. We honor and respect the enduring relationship that exists between these peoples and nations and this land. This land acknowledgment is one small act in the ongoing process of working to be in good relationship with the land and the people of the land. 

Drexel plans to give physical acknowledgement to the Lenape Nation once all classes have resumed on campus.

Priscilla Bell was born in North Philadelphia and raised in the Hunting Park section of the city. Bell graduated from the Community College of Philadelphia and received a BFA in 2D fine arts and an MFA in painting from Moore College of Art and Design. Bell looks to her family, surroundings and cultural heritage for guidance and inspiration. She continues to explore the issues that mean the most to her, including parenthood, black, indigenous and people of color (BIPOC) rights, urban decay and what it means to be a woman artist.

BUSTA is an artist from Chia, Colombia, who was raised around an indigenous community called "MUISCAS" or "CHIBCHAS." His upbringing helped him understand the spiritual aspect of painting and influences his work in the use of some of the patterns and colors he selects. His passion for urban art is derived from the complexity and beauty of the human form. BUSTA’s experience as a graffiti artist Is mainly informed by hip-hop culture and other social scenes as well as indigenous culture. 

Leon Rainbow is an artist in Trenton who creatively combines graffiti, street art and other artistic forms into innovative projects and events. He reaches out to wide audience, from galleries to the walls of inner cities. His application of fine arts composition and principles in his work allows him to react and visually educate on social issues and current events. He uses styles that his younger audience can relate to and he designs his visual media with a powerful spiritual message.

“Since we cannot invite people inside the gallery during this time, we want to bring the visual arts to our community through public space,” said Leah Appleton, events director of Westphal College’s newly founded Diversity, Equity & Inclusion Council and gallery exhibitions coordinator for the Pearlstein Gallery. “I’m glad to have an opportunity to raise up the voices of our Indigenous community members, especially through allocating land.”

 

About We Are the Seeds 

We Are the Seeds of Culture Trust is committed to uplifting and centering Indigenous voices through the arts. Seeds was founded by a team of Indigenous women who are dedicated to educating the world about art and culture as it relates to understanding Indigenous people, the history of (what is now called) the United States, and who we all are as American people today. The organization produces cultural events that feature fine art, music, dance, fashion, literary, and culinary art. Additionally, Seeds hosts interactive art programs and workshops that focus on educating and empowering the youth.   

 

About the Pearlstein Gallery  

The Pearlstein Gallery is committed to cultivating engagement with emerging artists, community partners, and contemporary culture. The gallery is a free, open and inclusive space for visitors to experience and reflect on current socio-cultural climates. 

 

About the Drexel University Westphal College of Media Arts & Design Diversity, Equity & Inclusion Council 

The Westphal College Diversity, Equity, and Inclusion Council seeks to create a culture that understands that diversity, equity, and inclusion are essential to transforming the academic and work environment into a community that values and respects everyone regardless of race, ethnicity, color, nationality, sex, sexual orientation, gender identity and expression, socioeconomic class, religion, disability, age, military status, political ideology, visa status, economic status, geographic location and language/linguistic ability. 

 

 

Linda Bond Artwork

Errors and Omissions

Fall 2021

Opening Reception TBA


Errors and Omissions surveys Linda Bond's work over these almost 20 years of U.S. conflict, both foreign and domestic, since September 11, 2001. In 15 bodies of work and over 70 pieces, Bond chronicles wars in Afghanistan and Iraq, the Kavanaugh hearings, the Syrian refugee crisis, drone warfare, the 2nd amendment and gun violence... the list goes on. While her content is inherently provocative, she does not force her audience to come to a particular decision. Rather, she uses her studio practice as a method to understand these conflicts on a personal level. She spends several months on each piece, often years on series that document US history as it develops in real-time. At its core, each piece is a long-form meditation, a physical manifestation of Bond’s attempts to understand her personal relationship to the major events of our time. The resulting message is not any discovery or opinion the artist uncovers while engaging with the source material; the message is to engage with the information for yourself. The fact that Bond’s work is incredibly beautiful helps accomplish this goal. The sensitivity of her mark-making and craftsmanship invites the viewer to linger on subjects that may otherwise alienate or repulse. Errors and Omissions provides a recent historical context from which we can explore and engage with our current political placement. It asks us again the classic questions of humanity- who are we, where did we come from, where are we going– and am I OK with it?

 


 

 

 


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