Todd Solondz, Soul of Suburban Satire
April 29, 2013
Just 10 years after finishing his first student film at NYU, Todd Solondz
put his own stamp on the coming-of-age genre with his second feature,
Welcome to the Dollhouse (1995). The film, a black comedy about the cruelty
of junior high school, parents, adult figures and suburban life, won awards
at countless festivals and launched Solondzs career as a master of social
satire and bitter realism. Now, with 10 films under his belt, including
Happiness (1998), the fiction/non-fiction crossover Storytelling (2001) and
Palindromes (2004), Solondz has garnished his resume with a Sundance Golden
Osella Award for Best Screenplay and nominations for Golden Globe and
Independent Spirit Awards for writing and directing.
The Film & Video Program proudly welcomes visiting Rankin Scholar Todd
Solondz for a two-day visit. Well screen Welcome to the Dollhouse in the
URBN Annex Screening Room on Wednesday, May 8 at 7:00 p.m. On Thursday, May
9, Todd will join Department of Cinema & Television faculty in the URBN
Annex Screening Room for a symposium on directing independent films at
10:30 a.m. Both events are
free and open to the public. The URBN Annex Screening Room is located at
3401 Filbert St., Philadelphia.
When it comes to American coming-of-age movies, director, writer and actor
Todd Solondz identifies two common tropes in building characters: the cute
and cuddly Disney kid or the evil devil monster. For me, middle class
kids growing up in the suburbs is fertile territory; that correctional
facility architecture that is endemic to the landscape of American
suburbia, Solondz said during the 1996 Deauville Film Festival. In
American films, this period of life is not treated seriously. Theres
almost a sort of primal aspect to it. Some cultures foster the behavior
more than others.